Wednesday, June 30, 2010

No. 79

What if Classical Singing was developed not only because it sounds heavenly, but because it feels heavenly? What if we have, in our analysis of how a singer ecstatically sings, lost connection with the Source of this ecstasy as we try to understand 'It'? What if every singer reconnected to 'It'?? Then we could change the world of opera, not only bringing it back to 'what it was', but reviving it in a way that could change the world. No one could ever ask "What is opera?" or "Why opera?" because in experiencing it, every question we have would be answered.

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